Posts with the Conrad Boyce tag

Barris Beat

Social skill without a cellphone

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Closing night flowers (“One rose is just fine”) to “Frankie and Johnny” co-stars Grant Evans and Lisha Van Nieuwenhove. Photo Michelle Viney.

This week I’ve visited the Uxbridge Music Hall a lot. We were moving staging, lights, props and actors into the facility for performances of Frankie and Johnny in the Clair de Lune, Dec. 13-16. On Monday, as director Conrad Boyce and I opened the front door of the Hall to move a piece of furniture onto the stage, Benny, the custodian, greeted us with a big smile and handshakes.

“Isn’t it great? We don’t have to do this anymore,” and he mimicked avoiding somebody on the sidewalk the way we did during the COVID-19 pandemic.

“It is great,” I agreed. “But we almost have to learn how to deal with people face-to-face all over again.” (more…)

Barris Beat

OnStage Uxbridge – 200 years behind the times

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Rock musical “Hair” as a statement of the times.

There had been demonstrations against the production in various cities around the world, back in the late 1960s. People were all in flap about the profanity, the references to drugs and promiscuity, the anti-war sentiment, and, oh yes, the nudity.

As the second act of Hair, the American Tribal Love-Rock Musical opened at the Royal Alex Theatre in Toronto, where I saw it in 1970, the stage was covered in a transparent screen. Behind it, those members of the cast who chose to, removed their clothes, stood still facing the audience behind the scrim and chanted together:

“Beads, flowers, freedom and happiness.” (more…)

Barris Beat

So the story goes…

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Alex Barris, my father, told stories as a career – via his typewriter or at a microphone.

He had a knack. Whenever he launched into an introduction, even if we were familiar with every word that followed, we knew we were in for a treat. My father, Alex Barris, had a unique talent for telling stories. And even if we knew it was a shaggy-dog story (one artificially stretched-out to build the suspense), we never tired of his telling it.

“Ever heard the story about the famous piano tuner?” he might begin. (more…)

Barris Beat

Duty to say nice things

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Maud believed in pointing
Maud Montgomery believed in the pointing of duty.

Earlier this week, in the town where I live, there was a little incident on the main street. A car jumped the curb and ended up sideways in front of a few shops. I noticed it because the police were there. I ventured closer and saw a woman, I think the owner of the car, sitting on a storefront step. What intrigued me was that everybody gathering around had the same first reaction.

“Are you OK?” everybody asked the woman.

She appeared shaken, but otherwise all right.

(more…)

Barris Beat

On becoming 10

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Uxbridge Cosmos, first edition, Thursday, Sept. 1, 2005.
Volume 1, Number 1 – Uxbridge Cosmos, first edition, Thursday, Sept. 1, 2005.

It sort of creeps up on you. You’re conscious of existence in the first few years. Important moments stand out. Some prove to be highlights. Others not. But, because it’s such a formative time, all the events in one’s first 10 years are instructive. I know. I was once 10 years old. And one thing I remember about becoming 10 was a first step toward adulthood.

“OK, Ted,” my mom and dad told me that July. “Here’s your first pet dog. She’s completely dependent on you. And you’re completely responsible for her well-being.” (more…)

Barris Beat

All the world is his stage

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OLIVER_TWIST_POSTEROur two families met during an elementary school production of “Oliver!” back about 1990. In the musical, our daughter Whitney performed the role of the old thief Fagin and Lisa and Conrad Boyce’s daughter Alida played Mrs. Bumble, the wife of the workhouse caretaker. Of course, the girls were great. I didn’t realize it right away, but Alida probably had an edge. She was coached by a man steeped in theatrical experience as an actor, director, producer and critic. In a note to me this week, Conrad described his own stage debut.

“I played my first role in Grade 1,” he wrote, “a Canadian history pageant (in which I was) Maisonneuve, the founder of Montreal.” (more…)

Barris Beat

It takes a musical village

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Whitney Ross-Barris headlined Toronto’s Lula Lounge, Dec. 5, launching her first jazz CD, “Everybody’s Here.”

It might have been the night she opened in the musical “Oliver” as the character Fagin and sang, “You have to pick a pocket or two.” Then again, it could have happened when she played the White Rabbit in “Alice in Wonderland.” They were both staged when our daughter attended public school. On one of those occasions she asked us for some last minute advice.

“Imagine I’m at the back of the auditorium, Whitney,” I said to her. “And sing out, so I can hear you from there.”

(more…)

Barris Beat

Suffering for art sake

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Jennifer Carroll as Maud. Photo courtesy Lucy Maud Montgomery Society of Ontario.

The great English poet and satirist John Donne called it a treasure. French impressionist painter Claude Monet considered it torture. American author Helen Keller said it was an inspiration. Nobel Prize laureate William Faulkner claimed humankind could endure vast quantities of it, but that it resulted in greatness. Then there was philosopher Friedrich Nietzsche’s view of suffering.

“That which does not kill us, makes us stronger,” he said.

(more…)

Barris Beat

On being a debate moderator

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Everything was going as planned, last Sunday afternoon. I had some errands to complete, my students’ news copy to edit. Then, I planned to wash and dress to be at the Durham riding debate venue half an hour before things got started. When I arrived and saw all the parked cars and not a soul outside, my heart sank. I realized the debate was scheduled for 7 not 7:30. I’d arrived just as the main event was about to begin.

It’s the first time in all the years I’ve done these things, that I’ve ever been late for an MC gig. (more…)