What’s a Family Day worth?

In 1951  film A Christmas Carol, Scrooge (Alastair Sim) ridicules Cratchit (Mervyn Johns) about expecting both a day off and full-day’s pay.

In the canon of English literature, it’s not the zenith of composition. It doesn’t resonate like a Shakespearean soliloquy, or crackle like Jane Austen dialogue, or whisk you away like a magical J.K. Rowling passage. But, for my money, the exchange between Scrooge and Bob Cratchit, in A Christmas Carol, says everything about our times.

“You’ll want all day tomorrow, I suppose?” whines Scrooge, anticipating his clerk’s desire to have Christmas Day off.

“If quite convenient, sir,” pleads Cratchit.

“It’s not convenient and not fair,” snorts Scrooge, “You don’t think me ill-used, when I pay a day’s wages for no work.” (more…)

And the winner is …

Ruth Walker’s quest was getting “Living Underground” published. It’s just happened.

The tension in the room was palpable. It was the Ritz-Carlton Hotel in downtown Toronto. The media and a who’s who of the literary community were there. The jury sat quietly. The anxious nominees fidgeted awaiting the verdict. Tuesday night was the moment five Canadian novelists only dream about – a chance to win this country’s richest fiction prize, the Giller. Four were waiting to be told they were second-best. One learned from the envelope in (Giller founder) Jack Robinovitch’s hand that the prize was won.

“And the winner is…” the representative of ScotiaBank said, “Will Ferguson and ‘419.’”

“Wow,” Ferguson said in response. “I want to thank…” and the list went on. And yes, he thanked his mom. “Number four son did you proud.”

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