Paper weight

Most Saturday mornings, when we rise and shine around our house, I head outside for one of my weekly rituals. I trek down the driveway and retrieve the weekend newspaper. It’s usually not hard to find – even in the snow – because it’s such a huge package inside a plastic bag. It’s got about eight or 10 regular sections in it, from world news to the insight section to the latest in condos (which frankly, I can take or leave). But there’s so much paper in that edition of the Star, that I often joke to my wife:

“Here it is, my dear,” I say, “your tree.” (more…)

When the earth shook

HAITIFUND_MC5Earlier this week, I happened to be on a massage table. Because my massage therapist also happens to be one of the most plugged-in and erudite people I know, she and I talked about the devastation in Haiti. To my surprise, she informed me that Uxbridge has become involved. She said that among a number of awareness-raising and fund-raising activities, the Rotary Club of Uxbridge has rallied to assist victims of last Tuesday’s earthquake. I wondered how our community – so far away from the disaster – could hope to deliver any tangible help.

“Well, there are 17 Rotary Club branches in Haiti,” she said. “That’s how local donors can be reassured donations will get there.”

That was some of the first reassuring news I’ve learned since the earthquake took place on Jan. 12. Almost since the next day, stories of victims enduring limb amputations without anesthesia, of marauding gangs stealing from homeless victims, and of orphans roaming the streets of Port-au-Prince, have haunted all of us outside this impoverished Caribbean nation.

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Custodian of the Maple Leaf

PETRY_PICIt happened early last spring. With just a few days remaining before I led one of my annual tours to the battlefields of Europe, I paid a visit to the man who regularly supplies me with this country’s greatest calling card.

Bryan Petry was ready and waiting for me. At his All Seasons Display office in Markham, Ont., he had three full-sized Canadian flags I planned to use as official gifts. He had bags of Canadian flag pins we would give as souvenirs to French and Belgian acquaintances, and he had bundles of paper Canadian flags we would plant in front of Canadian military headstones at Commonwealth War Grave sites.

“Plant one for me, would you?” Bryan asked me.

His request caught me a little off guard. “Of course,” I said eventually. “Anything for my favourite custodian of the flag.”

I guess I didn’t realize how telling that moment in his office really was. Though I would see Bryan Petry a few more times later that summer and into fall, his request to be remembered during one of our cemetery visits turned out to be the last favour I was able to return to him. On Monday, Bryan died of complications caused by cancer at Toronto East General Hospital. He was 54.

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Ending the year with a bang

CRASH2_DEC09I simply went to exchange a Christmas gift. By 11 a.m. on Dec. 30, I reached the electronics store in south Whitby, Ont. But because of holiday demand, the store didn’t have much selection left. So, they gave me a credit and asked me to come back in the new year. I headed home – northbound on Thickson Road. It was just after noon. On the radio they were about to announce the roster for Team Canada, the men’s Olympic hockey team.

“Ladies and gentlemen,” the announcer said, “Steve Yzerman.”

That’s the last sound that came from my car radio. At that moment, I entered the intersection of Thickson and Rossland, east of downtown Whitby. As I did, a one-ton pickup truck suddenly came at me from the right. Before I could react, we collided and my car was spinning clockwise. I thought, “There’s going to be a second impact … a pole … another vehicle … or a least the curb.” But it never came.

Fortunately, my little old Corolla just stopped spinning on its own. And – seconds later – when I focused, I was facing the opposite direction. The truck that had hit me sat crosswise in front of me. I was covered in glass and debris from the truck’s front-end and what was left of the passenger’s side of my car. Then I consciously looked to my hands and feet. Thankfully, I could move them. A woman approached and told me my head was bleeding. And I suddenly felt pain there. A moment or two later a man with a cell phone to his ear approached from the driver’s side, opened the door and spoke with a bit of an accent.

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Gift of a song

The sounds of Christmas are everywhere in song, whether Silent Night or Little Town of Bethlehem or even the Chipmunks’ Christmas Song and Deck the Halls with Boston Charlie. But I’ve got a story of a Christmas song you’ve never heard of. In fact, it’s not even about Christmas; it’s about the day before. It began one day back in 2001 when my father – Alex Barris – called me with a problem.

“I’ve written a song,” he said. “It’s called ‘It’s Christmas Eve.’”

“So what’s the problem?” I asked.

Dad said it was a piece he’d composed some years before. Not only had he written up the musical score sheets and the lyrics, but he had also published it and even recorded a rough soundtrack of his own voice singing it. His dilemma, he told me, was that he now wanted to have the song professionally recorded in a studio, with piano accompaniment and a female vocalist. Therein lay the dilemma, he said. He wanted one of our daughters to record it. But which one?

“Why not have them do it together,” I suggested, “in harmony.”

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A taste of concern

Monday night was bittersweet. Through the evening, a lot of friends and neighbours shared food and drink in anticipation of holiday festivities, just days away. But in the middle of a special wine and food tasting at the Tin Mill, a local eatery in Uxbridge, Ont., I listened to a friend of mine grieve. He couldn’t fathom that just eight weeks ago, his son Christopher was as alive as ever.

“I wake up each day thinking he’ll be there,” Warren Skinner told me. “It’s absolutely surreal.”

Christopher, Warren and Ellen Skinner’s 27-year-old son, died on Adelaide Street in Toronto on Oct. 18. He’d been celebrating his sister Taryn’s birthday in the city’s entertainment district. He’d begun to walk home about 3 a.m. As best authorities could determine, it appeared that Christopher and occupants of a dark-coloured SUV had a confrontation. The police said his attackers beat Chris to the ground, then drove over him and sped away. That cowardly act snuffed out an extraordinary young man’s life and devastated his family.

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The face that chose me

BTS_FRONTJACKETThe day I first saw it, I had no idea how much impact it would have on my life or the lives of several others.

I came across the photograph back in March. I had opened a copy of the Globe and Mail and spotted the image right away. I suddenly realized the picture might provide the exact image I’d been searching for. It showed a contemporary Canadian soldier in Afghanistan. He seemed to be seated inside a troop transport. He looked exhausted, done in. I checked the caption under the shot. It said:

“Master Corporal Chris Jebeaupre rests after a mission in the Taliban stronghold of Zhari district.”

All last winter I had searched for an image to place on the cover of my new book, a book I hoped might change attitudes about the way we view Canadian veterans. I wanted the image to say several things. It had to depict a veteran; clearly this man was a veteran, not of long past wars, but of a current war. It had to be an honest reflection of the aftermath of a wartime event; the Reuters news agency photographer, Stefano Rellandini, seemed to have caught this Canadian soldier in a state of exhaustion. Perhaps even loss. So I called Reuters seeking permission to use the shot on the cover of my book.

“You’ll have to call New York,” the woman at the Toronto Reuters office told me.

Once I’d made contact, I asked Reuters to forward the photo to my publisher’s cover designer to incorporate the image around the title of my new book, “Breaking the Silence.” From the first draft of his treatment, I knew that my instincts to get this photograph were right. The image of Master Cpl. JeBeaupre seemed perfect.

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Making the point

There’s a standard post-game joke that circulates in most recreational hockey or oldtimers’ dressing rooms. Especially if the butt of the joke has made a ridiculously bad pass, missed an obvious goal or (in the case of a goalie) blown an easy save during the game. It doesn’t take long – within minutes of the end of the scrimmage – and it usually follows a short period of silence as players catch their breaths on the dressing room benches. Then, it comes with the predictability of a sunrise.

“So what happened?” the jokester begins. “Did you trip on your toe picks?”

In case you didn’t get the reference, toe picks are the jagged edges common to the leading edge of most figure skaters’ skates. The point is that the hockey player involved in the gaffe, looked so hopelessly inept during the play, that the worst comparison the jokester could imagine would be the hockey player being only good enough to try figure skating or ice dancing.

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The meaning of silence

Recently, I spoke to a midday session of the International Writers’ Festival in Ottawa. I projected images of veterans I have known onto a movie screen. Then, I told stories about the men’s and women’s nearly total reluctance to speak about their wartime experiences. It’s the subject of my latest book, “Breaking the Silence.” And I finished my talk this way:

“I’ve spent many of the past 30 years writing the stories of battle,” I said. “In this latest work, I’ve attempted to write about the battle to get the stories.”

In my talk, I offered several key illustrations of the way Canadian veterans have almost universally refused to share with their families and civilian friends the extraordinary moments of their war. Among the examples of this unwritten code of silence, I cited the story of my closest air force friend Charley Fox. Though he had completed 234 successful sorties in air force Spitfires and won two Distinguished Flying Crosses, he rarely spoke about his successful airborne attack on the highest ranking and most important German general in occupied France, Erwin Rommel.

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The original “Boo”

ORSONWELLESThe world ended that night. A high school girl in a major eastern city was hysterical; she claimed she and her girlfriends cried and held each other preparing to die. Rural residents on mid-western farms prayed harder than they ever had before. And thousands more rushed headlong into the streets of New York City that night. They hallucinated that aliens from outer space were invading their city, their country, their planet. They’d heard a radio broadcast – 71 years ago tomorrow night – and thought it was really the end of life on Earth.

“Ladies and gentlemen,” they heard the announcer say, “this is the most terrifying thing I have ever witnessed! … Wait a minute! Someone’s crawling out of the hollow top … Someone or something. I can see peering out of that black hole two luminous discs … are they eyes? It might be a face…”

Fright, real fright was born Oct. 30, 1938.

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