The day I first saw it, I had no idea how much impact it would have on my life or the lives of several others.
I came across the photograph back in March. I had opened a copy of the Globe and Mail and spotted the image right away. I suddenly realized the picture might provide the exact image I’d been searching for. It showed a contemporary Canadian soldier in Afghanistan. He seemed to be seated inside a troop transport. He looked exhausted, done in. I checked the caption under the shot. It said:
“Master Corporal Chris Jebeaupre rests after a mission in the Taliban stronghold of Zhari district.”
All last winter I had searched for an image to place on the cover of my new book, a book I hoped might change attitudes about the way we view Canadian veterans. I wanted the image to say several things. It had to depict a veteran; clearly this man was a veteran, not of long past wars, but of a current war. It had to be an honest reflection of the aftermath of a wartime event; the Reuters news agency photographer, Stefano Rellandini, seemed to have caught this Canadian soldier in a state of exhaustion. Perhaps even loss. So I called Reuters seeking permission to use the shot on the cover of my book.
“You’ll have to call New York,” the woman at the Toronto Reuters office told me.
Once I’d made contact, I asked Reuters to forward the photo to my publisher’s cover designer to incorporate the image around the title of my new book, “Breaking the Silence.” From the first draft of his treatment, I knew that my instincts to get this photograph were right. The image of Master Cpl. JeBeaupre seemed perfect.
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