Social skill without a cellphone

Closing night flowers (“One rose is just fine”) to “Frankie and Johnny” co-stars Grant Evans and Lisha Van Nieuwenhove. Photo Michelle Viney.

This week I’ve visited the Uxbridge Music Hall a lot. We were moving staging, lights, props and actors into the facility for performances of Frankie and Johnny in the Clair de Lune, Dec. 13-16. On Monday, as director Conrad Boyce and I opened the front door of the Hall to move a piece of furniture onto the stage, Benny, the custodian, greeted us with a big smile and handshakes.

“Isn’t it great? We don’t have to do this anymore,” and he mimicked avoiding somebody on the sidewalk the way we did during the COVID-19 pandemic.

“It is great,” I agreed. “But we almost have to learn how to deal with people face-to-face all over again.” (more…)

OnStage Uxbridge – 200 years behind the times

Rock musical “Hair” as a statement of the times.

There had been demonstrations against the production in various cities around the world, back in the late 1960s. People were all in flap about the profanity, the references to drugs and promiscuity, the anti-war sentiment, and, oh yes, the nudity.

As the second act of Hair, the American Tribal Love-Rock Musical opened at the Royal Alex Theatre in Toronto, where I saw it in 1970, the stage was covered in a transparent screen. Behind it, those members of the cast who chose to, removed their clothes, stood still facing the audience behind the scrim and chanted together:

“Beads, flowers, freedom and happiness.” (more…)