It might have been the night she opened in the musical “Oliver” as the character Fagin and sang, “You have to pick a pocket or two.” Then again, it could have happened when she played the White Rabbit in “Alice in Wonderland.” They were both staged when our daughter attended public school. On one of those occasions she asked us for some last minute advice.
“Imagine I’m at the back of the auditorium, Whitney,” I said to her. “And sing out, so I can hear you from there.”
A few months ago now, our daughter performed a gig at a popular Toronto jazz nightclub called the Reservoir Lounge. Nothing particularly special about the venue. But when Whitney brought her piano, sax and bass combo on stage, the place just seemed to jump with the energy and interpretation of her music. Not so long ago, she and I talked about where that all came from.
“I always credit my being able to connect emotionally with expressing myself musically to Susan Hall,” Whitney said. “It’s not just that I’m telling the story with the lyrics, but it’s the story of the melody that a lot of singers don’t think about … It’s because of what I learned playing with her.”