Posts with the Shakespeare tag

Barris Beat

Man of inspiration

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Artist Lynne McIlvride and actor Brent Jennings share memories of Kenneth Welsh at the Second Wedge, Sunday.

It was an odd sort of friendship. But in spite of the distance and the time between visits, it endured for 50 years. In 1975, Brent Jennings arrived at the Eugene O’Neill Theater in Waterford, Connecticut to participate in a national playwrights’ conference, developing new plays.

In the workshops he met a brother actor from Canada. They’d both come to meet other theatre people, but Jennings took away memories of a guy with plenty of talent, a good sense of humour and an interesting travelling companion.

“Ken Welsh had a dog with him in the dorm,” Jennings said. “We worked hard, laughed a lot and I never forgot him.” (more…)

Barris Beat

OnStage Uxbridge – 200 years behind the times

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Rock musical “Hair” as a statement of the times.

There had been demonstrations against the production in various cities around the world, back in the late 1960s. People were all in flap about the profanity, the references to drugs and promiscuity, the anti-war sentiment, and, oh yes, the nudity.

As the second act of Hair, the American Tribal Love-Rock Musical opened at the Royal Alex Theatre in Toronto, where I saw it in 1970, the stage was covered in a transparent screen. Behind it, those members of the cast who chose to, removed their clothes, stood still facing the audience behind the scrim and chanted together:

“Beads, flowers, freedom and happiness.” (more…)

Barris Beat

A stage without Kenneth…

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The look Ken Welsh often brought to his December readings of A Child’s Christmas in Wales. Photo  – Charlotte Hale.

I can think of all kinds of memorable spoken quotations. Winston Churchill’s wartime proclamation, “We will fight them on the beaches…” Oprah Winfrey’s motto, “Think like a queen.” Danny Gallivan’s “Savardian Spin-o-rama” on Hockey Night in Canada. Not only are the words etched in my memory, so are their voices. But there’s another memorable voice I’ve always heard around Christmastime offering these memorable words:

“I can never remember whether it snowed for six days and six nights when I was 12, or whether it snowed for 12 days and 12 nights when I was six.” Of course, those are words of Dylan Thomas, from the opening of A Child’s Christmas in Wales.

But I have only ever heard one voice associated with those lines, that of Kenneth Welsh. (more…)

Barris Beat

What’s a Family Day worth?

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In 1951  film A Christmas Carol, Scrooge (Alastair Sim) ridicules Cratchit (Mervyn Johns) about expecting both a day off and full-day’s pay.

In the canon of English literature, it’s not the zenith of composition. It doesn’t resonate like a Shakespearean soliloquy, or crackle like Jane Austen dialogue, or whisk you away like a magical J.K. Rowling passage. But, for my money, the exchange between Scrooge and Bob Cratchit, in A Christmas Carol, says everything about our times.

“You’ll want all day tomorrow, I suppose?” whines Scrooge, anticipating his clerk’s desire to have Christmas Day off.

“If quite convenient, sir,” pleads Cratchit.

“It’s not convenient and not fair,” snorts Scrooge, “You don’t think me ill-used, when I pay a day’s wages for no work.” (more…)

Barris Beat

Is ignorance bliss, or just ignorance?

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Spike Lee celebrating his Oscar win with Samuel L. Jackson.

He heard the news. He leapt up from his seat in the theatre. He clasped hands with a couple of colleagues on the way up the aisle, then Spike Lee galloped up the stairs to the stage and leapt into Samuel L. Jackson’s arms. In so many ways it was classic Lee, being entirely off the wall. In other ways – since he’d never won an Oscar before – it was unique. Then, he pulled notes from his jacket pocket and read his list of thank-yous. And since it was such an extraordinary night for black artists, Lee took the opportunity to make a political point.

“Before the world tonight, I give praise to our ancestors who built this country,” he said. “If we all connect with our ancestors, we will have love, wisdom, and regain our humanity. It will be a powerful moment.” (more…)

Barris Beat

All the news that’s fit to fake

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Very much alive, but nobody bothered to check. Courtesy GordonLightfoot.com.

As I recall, it was an afternoon in February a few years ago. One of my journalism students came to me with a cell phone in his hands – you know the pose, with head bowed, eyes mesmerized, phone illuminating his face – and a look of incredulity. He looked up at me and announced the news.

“It says here Gordon Lightfoot is dead,” he said.

“What?” I said, then added with a tone of say it ain’t so in my voice “No.” Then, I asked him where he was reading such news. (more…)

Barris Beat

Precarious or preferred?

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1930 Lewis Hine photograph depicting "skywalkers," steelworkers atop Empire State Building, is often used to symbolize "precarious work."
1930 Lewis Hine photograph – depicting “skywalkers,” steelworkers atop Empire State Building – is often used to symbolize “precarious work.”

We hadn’t seen each other in awhile. We stopped to catch up. My friend told me it had been a tough summer. His father had passed. He’d had to put a favourite pet down. So, his work as an artist had suffered. We’re about the same age and we talked about whether the idea of stopping work or even retirement had entered his thinking. He pointed out, while it might be appropriate and healthy to slow down or even retire, that it wasn’t feasible.

“I can’t just decide to stop working,” he said. “Working artists can’t afford to do that.”

We talked a while about what retirement might look like for him. He sensed that he might do more work of his own choosing, as opposed to the work that customers needed or wanted done. But ultimately we came back to the kind of work life he experiences.

“Freelance work never stops,” he said. (more…)

Barris Beat

The royal image

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Queen Elizabeth II in open car during 1959 Royal Tour (notice kids with cameras).

Buried away in a dusty, old photo album somewhere, a photograph I took with my Kodak Brownie “Holiday Flash” camera sits mounted in those black, triangular photo corners. There might actually be two or three photos in that series. But the best of them – if you look very closely at the snapshot – shows a long limousine carrying an apparently important person who is waving in the middle of the picture. The only sound I remember – above the nearly deafening cheering around me as I framed the shot – was my mother entreating me.

“Take it now, Ted,” she said. “There she is!” (more…)