This week I’ve visited the Uxbridge Music Hall a lot. We were moving staging, lights, props and actors into the facility for performances of Frankie and Johnny in the Clair de Lune, Dec. 13-16. On Monday, as director Conrad Boyce and I opened the front door of the Hall to move a piece of furniture onto the stage, Benny, the custodian, greeted us with a big smile and handshakes.

“Isn’t it great? We don’t have to do this anymore,” and he mimicked avoiding somebody on the sidewalk the way we did during the COVID-19 pandemic.

“It is great,” I agreed. “But we almost have to learn how to deal with people face-to-face all over again.” (more…)